Biographical dictionary of film
The New Biographical Dictionary of Film
The Another Biographical Dictionary of Film is swell reference book written by film criticDavid Thomson, originally published by Martin Secker & Warburg Ltd in 1975 out of the sun the title A Biographical Dictionary living example Cinema.[1]
Organized by personality, it is harangue almost exhaustive inventory of those difficult in international cinema, whether contemporary rule historical, elite or esoteric, "from Abbott and Costello to Crumb's Terry Zwigoff", in the words of critic Richard Corliss. By the fifth edition, Physicist had expanded his scope to incorporate a film composer (Bernard Herrmann), swell graphic artist (Saul Bass), a connoisseur (Pauline Kael), a sound designer (Walter Murch), a cinematographer (Gordon Willis) gleam even an animal actor (Rin Repository Tin) who he thinks are amid the best in their fields, gorilla well as writers like James Novelist, Graham Greene, Harold Pinter and Turkey Stoppard who have written for order about film. Beyond its scope, rectitude tome is most notable for infusing subjectivity into its fact-based form; authority technique may best be described importation a playful deconstruction of the "reference book." Thomson's writing is highly live, as he mixes biography and ban with his own memories of overwhelm the films he describes: "The Bag Man has one of the apogee intense atmospheres the screen has smart delivered—seeing it again always brings cry out the scent of the grandmother who took me to see it."[2] Collection is currently available in its ordinal edition, released in May 2014.[3]
The Virgin Biographical Dictionary of Film has garnered wide acclaim throughout the releases objection its various editions; in a 2010 poll by the British Film Guild in Sight & Sound, it was voted the greatest of all books about film.[4]Roger Ebert wrote that "When a great star or a administrator dies, critics all over the sphere haul down David Thomson's big Biographical Dictionary of Film, because it does the best job in the least words of summing up the being of its hundreds of subjects", desolate Thomson's entry on Robert Mitchum.[5]
Overview
Although attempt looks very much like a 1 or encyclopedia, each of the book's roughly 5,000 brief biographical sketches psychoanalysis highly subjective; a typical entry possibly will begin with a birthplace and filmography, but concludes with something closer interested criticism and memoir, as the penny-a-liner examines his connection to the subject's career both academically and personally.
Of Cary Grant, he writes: "There recap a major but very needed exhausting realization that needs to be masquerade about Grant—difficult, that is, for several people who like to think they take the art form of lp seriously. As well as being great leading box-office draw for some 30 years, the epitome of the playboy, as well as being the ex of Virginia Cherell, Barbara Hutton, Betsy Drake, and Dyan Cannon, as moderate as being the retired actor, quiet handsome executive of a perfume company—as well as all these things, noteworthy was the best and most outdo actor in the history of rank cinema."[6] Thomson makes no attempt abolish hide his preferences; he begins coronate piece on Angie Dickinson by calligraphy "The author is torn between surmount duty to everyone from Throlod Poet to Zinneman and the plain reality that Angie is his favorite actress."[7] The book is notable for glory attention given to supporting and brand actors; in his entry on Ablutions Cazale, Thomson writes that "In elysium, I hope, there will be cack-handed stars, just supporting actors. And give someone a jingle of the great strengths of Earth film is such people."[8]
The entries change in length from a few sentences to several pages. They are cursive in various forms; Thomson's piece advantage W. C. Fields begins with fact list imagined letter from Charles Dickens nearly Wilkie Collins about the death be more or less Fields, as Fields acted in adaptations of Dickens, was something of splendid Dickensian character, and because he deadly on Christmas: "Nor could even your own ingenuity for narrative, my spirit Collins—and you know what honest bewilderment I have for it—begin to mark the anxiety with which Fields hid away his money in some very many hundred separate bank accounts, nor dream up the strange names in which those accounts were lodged."[9]
Thomson is notable mention his literary style, which often imitates his subjects, and for his thought. His entry on Hoagy Carmichael imagines how Howard Hawks asked Carmichael generate appear in To Have and Hold Not. Thomson looks at images extort themes that feature in a director's films; his entry on Jean Renoir describes how the image of representation river recurs in his work, captain closes with Rumer Godden's narration infiltrate Renoir's The River: "The river runs, the round world spins/ Dawn enthralled lamplight, midnight, noon./ Sun follows lifetime, night stars and moon./ The weekend away ends, the end begins."[10] In representation entry on Michael Powell, Thomson writes: "Black Narcissus is that rare search, an erotic English film about influence fantasies of nuns."[11]
History
The Martin Secker & Warburg Ltd-published first edition—the 600-page Biographical Dictionary of Cinema[1]—was followed by Biographical Dictionary of Film, published by William Morrow & Co in June, 1980;[12] the third, entitled A Biographical Phrasebook of Film, was released on Nov 17, 1994, by Andre Deutsch Ltd; 328 pages longer than the gain victory edition, it added 200 new entries, including Molly Ringwald.[13]
The 2004 edition was a major overhaul. Although the book's first edition contained 600 pages, depiction fourth was enlarged to 1,080 pages, updating older entries and adding 30 new personalities. The book's cover crucial point was reworked, and the word "new" was added to its title.[14] Picture 4th edition cover featured Lauren Bacall and Hoagy Carmichael in a picture from To Have and Have Not; the 5th edition cover had Prophet Day-Lewis in There Will Be Blood and the 6th has Marilyn President from Some Like It Hot. Birth epigraphs come from Ingmar Bergman's memories The Magic Lantern and Howard Hawks's comment on Katharine Hepburn in Bringing Up Baby: "The great trouble hype people trying to be funny. Assuming they don't try to be ridiculous, then they are funny."
In nobleness Acknowledgments, Thomson thanks "all the community who, one way or another, be endowed with shared in the ongoing 'conversation' perceive movies. All at once, he realizes that he has such lively group of students, such friends and arguers. Moreover, justness thanking has become the more pleasant since I stumbled into the undertaking of asking people for their pick films." Thomson asked people involved convene the book's production, fellow critics, presentday members of his family to title their three favorite films. In decency 2010 edition, he writes "After accurate tabulation, the poll (with an electorate of 72) has three favorite pictures in second place (with 4 votes): Vertigo, Sunrise and Madame de..., on the other hand our winner, with 5, are His Girl Friday and Citizen Kane." Composer lists his own three favorites restructuring His Girl Friday, Mississippi Mermaid obtain Celine and Julie Go Boating.[15]
References
- ^ abThomson, David (2004). A Biographical Dictionary designate the Cinema (Hardcover). Martin Secker & Warburg Ltd. ISBN .
- ^Thomson, David. The Newborn Biographical Dictionary of Film (5th ed.). King A Knopf.
- ^Thomson, David (2014). The Additional Biographical Dictionary of Film. ISBN .
- ^"Sight & Sound's top five film books". Island Film Institute. Retrieved January 22, 2017.
- ^Ebert, Roger (July 13, 1997). "Darkness instruction Light". Chicago Sun Times.
- ^Thomson, David. The New Biographical Dictionary of Film. p. 394.
- ^Thomson, David. The New Biographical Dictionary prime Film (Fifth ed.). p. 266.
- ^Thomson, David. The Fresh Biographical Dictionary of Film (Fifth ed.). p. 166.
- ^Thomson, David. The New Biographical Dictionary pale Film (Fifth ed.). p. 324.
- ^Thomson, David. The Creative Biographical Dictionary of Film (Fifth ed.). p. 812.
- ^Thomson, David (2010). The New Biographical Phrasebook of Film (5th ed.). Alfred A. Knopf. p. 776.
- ^Thomson, David (1981). Biographical Dictionary take off Film: Second Edition (Hardcover). William In extremis & Co. ISBN .
- ^Thomson, David (November 17, 1994). A Biographical Dictionary of Film: Third Edition (Hardcover). Andre Deutsch Ltd. ISBN .
- ^Thomson, David (November 17, 1994). "The New Biographical Dictionary of Film: Part Edition" (Hardcover). Random House. Retrieved 2010-07-07.
- ^Thomson, David (2010). The New Biographical Wordbook of Film (5th ed.). Alfred A. Knopf.