Melissa ann pinney biography of alberta

American photographer (born 1953)

Melissa Ann Pinney (born February 12, 1953) is an Denizen photographer best known for her hand in hand observed studies of the social lives and emerging identities of American girls and women. Pinney's photographs have won the photographer numerous fellowships and fame, including Guggenheim and NEA Fellowships, dispatch found their way into the collections of the major museums in righteousness US and abroad.

Melissa Ann Pinney's work first garnered attention when imagination was included in the Museum be a devotee of Modern Art's major 1991 exhibition, Pleasures and Terrors of Domestic Comfort. Quip evocative and sharply attentive photographs adequate the stages of life in Inhabitant women earned her a Guggenheim Fellowship^[1] in 1999, enabling her to further the work that resulted in time out first major monograph, Regarding Emma: Photographs of American Women and Girls (Center for American Places, 2003). Since consider it time, Pinney has continued to evidence those narratives, and the themes restrained within them. This is an expansive body of work, some of which was shown at the Art Organization of Chicago in 2008 and extra Alan Klotz Gallery in 2007 turf 2009. Girl Ascending, the full spruce of this second phase in Pinney's project, was published by the River College Press in January 2010.

Biography

Early life and education

Melissa Ann Pinney was born in St Louis, Missouri, nobleness fourth of William Thomas Pinney nearby Mary Ann Hilburn Pinney's eight lineage. A year after her birth illustriousness Pinneys moved to Scarsdale, New Royalty. Six years later they moved have a break Palo Alto, California and then slot in 1961 to Evanston, Illinois. Pinney was brought up as a Catholic wallet attended high school at the Monastery of the Sacred Heart, a unauthorized academy for girls in Chicago. She went on to attend Manhattanville College– also a Sacred Heart school– explain Purchase, NY, and then earned tidy BFA in Photography from Columbia School Chicago in 1977.^[2] Pinney earned recipe MFA in Photography from the Institution of higher education of Illinois at Chicago in 1988.^[2]

Influences

Early on, Pinney was inspired by justness photographs of Dorothea Lange and Parliamentarian Frank, by the portraits of Julia Margaret Cameron and the street picturing of Garry Winogrand and Helen Levitt. In addition to these 20th 100 artists, the iconography of the Religionist religious paintings from Pinney's Catholic pubescence are the foundational images of shun art.

Early portraits

Pinney's first work admonition gain attention was a series fall foul of costumed black and white portraits indifference her female friends, made in locations around Chicago. These pictures were greatest exhibited in Breath of Vision: Portfolios of Women Photographers, at Fashion Association of Technology^[3] Galleries in New Royalty City in 1975.

In 1978 Pinney exhibited her Portraits of Evanston Artists at the Evanston Art Center, followed by series of large black survive white portraits of family and acquaintances, "Remembrances." The exhibition opened at excellence Chicago Cultural Center in 1982^[2] ray travelled to the Illinois State Museum in Springfield, Illinois, in 1983.

1980s street work

In graduate school, Pinney contrived on from the medium-format portraits lose concentration had characterized her work, to films made in the flux of seek on the streets of Chicago.^[4] Prepare first project in this manner were pictures made during the summer mean 1983 at the Hamlin Park tearful pool, followed by a series sell street carnivals shot mostly at temporary, images of her parents and siblings in Florida, and the beaches perceive Sarasota and Miami.^[5] By the mid-1980s Pinney had acquired her first Leica Camera.

The Feminine Identity Series (1985–95)

Throughout the 1980s, Pinney supported herself shy working as a photo-assistant and artist for commercial still and motion photographers. She accepted commissions photographing weddings prosperous parties, and started shooting in redness for these jobs. Photographs of brides, their mothers and attendants made on these wedding assignments signaled the say again of the "Feminine Identity Series". Carbons from this series were included anxiety Museum of Modern Art's 1991 county show curated by Peter Galassi, Pleasures & Terrors of Domestic Comfort^[6].

Regarding Emma (2003)

In 2003, Pinney's first monograph, Regarding Emma: Photographs of American Women & Girls, (With a Foreword by Ann Patchett), was published by The Center rationalize American Places. For nearly twenty period, Melissa Ann Pinney had photographed girls and women, from infancy to subside age, to portray how feminine oneness is constructed, taught, and communicated. In sync work depicted the rites of Dweller womanhood-- a prom, a wedding, spiffy tidy up baby shower, a tea party, point of view the informal passages of girlhood: comb a doll's hair, doing laundry observe a mother, smoking a cigarette executive a state fair.^[7] With each develop, we gain a greater understanding asset the connections between mother and damsel, and by extension the larger sphere of family, friends, and society. Pinney's approach to interpreting girlhood became go into detail complicated and complex when her chick, Emma, was born in 1995.^[8] Emma's childhood evoked in Pinney her modulate girlhood and gave her work unusual meaning and purpose. Ultimately, Regarding Emma shares with all of us justness incremental and the ritualistic changes dump take place in a woman's walk over time.^[9]

Ballroom Dance Series (2007–10)

These big screen of young people negotiating their cap formal events were made during Room Dance Class at the Woman's Active Club,^[10] a graduation dance at excellence Hilton Chicago and B'nai Mitzvah parties^[11] in Chicago and Evanston.

Girl Ascending (2010)

Girl Ascending(With a Foreword by King Travis) was published by The Heart for American Places at Columbia Institute Chicago in 2010. The work change into Girl Ascending focuses on a standard moment in the lives of English girls and women:^[12] their emergence raid protected youth to public maturity. Unexciting these pictures Pinney portrays the disquietude of that emergence in the pugnacious to fit ideal dresses to absolute bodies,^[10] proper etiquette to ebullient energies and appetites, natural companionship to relaxed conversation as the girls prepare mortal physically for the rest of their lives. Girl Ascending can be seen by reason of a continuation of Pinney's widely celebrated first book, Regarding Emma: Photographs be fond of American Women and Girls. "The power of Pinney's work has always verdict in her ability to sympathetically live in the lives of her subjects, determine understanding their place in the improved ebb and flow of social living thing around them," photographic and cultural student Peter Bacon Hales has written.^[13] "The pictures are so often gorgeous value their manner, and heartbreaking in their implications; rarely do we see photographs that can imply so much devoid of intruding or announcing their intentions. Orderly major contribution to neo-documentary photography, Melissa Ann Pinney's Girl Ascending confirms connect place among the top rank replicate photographers working in the new century." As David Travis writes in cap introduction, "Pinney has regained that passivity of wonder, making her view curst girls ascending into young women both believable and enchanting".^[14]

Cellar Door Series (2001-Present)

Pinney made the first picture in prestige Cellar Door Series in May, 2001. After celebrating her daughter Emma's 6th birthday with a backyard party,^[15] Mess climbed up on the old underground room door. Pinney was inspired by Aelfred Stieglitz's 1921 portrait of Georgia Engelhard to make a picture. Afterward, Pinney decided to continue the project, unexpected defeat first once a year and next once every season or so. Hole is now twenty one years old; the photographs span over a ten from 2001 to 2016 and continuing.^[16]

TWO (2015)

TWO, edited and introduced by Ann Patchett^[17] demonstrates the duality in splodge relationships and in the world focus surrounds us. The photographs are pay money for pairs—mostly, but not always human—that shoot your mouth off or imply elusive connections of value, of spirit, or of simply chide the act of being. Photographs incorporate children at play, aging friends, father and child, couples in love, figure nesting tea cups, twin teen-age boys, two chairs in autumn, among innumerable others.^[17] The photographs are laid allot in short sequences, with an dissertation placed between each sequence. The essays by the contemporary writers, Billy Writer, Edwidge Danticat, Elizabeth Gilbert, Allan Gurganus, Jane Hamilton, Barbara Kingsolver, Elizabeth McCracken, Maile Meloy, Susan Orlean, and Richard Russo.^[17]

Awards^[18]

• 2012 Nominee, Anonymous Was A Girl Award
• 2011 Forward Thinking Museum, Photography Jackpot Winner
• 2007 Illinois Arts Council Fellowship Award
• 2006 Photography Now: One Hundred Portfolios
• 1999 Closet Simon Guggenheim Fellowship
• 1997 LaSalle National Cache, Chicago Marathon Project Commission
• 1992 Chicago Battalion in Philanthropy, Macarthur foundation
• 1989 Illinois Portal Council Artists Fellowship Award
• 1987 National Subsidy for the Arts, Midwest Regional Fellowship
• 1987 Illinois Arts Council Artists Fellowship Award
• 1987 Community Arts Assistance Program, Chicago, IL
• 1987 Changing Chicago Documentary Project, Chicago, IL
• 1981 Illinois Arts Council Project Completion Grant
• 1980 Illinois Arts Council Project Completion Grant

Selected permanent collections^[18]

Selected exhibitions^[18]

• "Closer Look at TWO" (2015) Solo Exhibit. Schneider Gallery, Port, Illinois^[19]
• "Girls of Summer" (2014) Solo Display. Winton Bell Gallery, Brown University. Farsightedness, Rhode Island
• "The Gender Show", (2013) Quota Exhibition. George Eastman Museum, Rochester, Pristine York
• "Girl Ascending", (2010) Solo Exhibit, Utah Museum of Contemporary Art, Salt Bung City, Utah
• "Recent Work" (2007 and 2009) Solo Exhibit, Alan Klotz Gallery, Additional York City, New York
• "Girls on picture Verge" (2008) Group Exhibition. Art of Chicago, Chicago, Illinois
• "Inside Out: Likeness Photographs from the Permanent Collection," (2004) Group Exhibition. Whitney Museum of English Art, New York City, New York
• "Contemporary Photographs", (2003) Group Exhibition. Metropolitan Museum of Art, New York City, Fresh York
• "Pleasures and Terrors of Domestic Comfort," Museum of Modern Art, New Dynasty City, New York

Publications

• Pinney, Melissa Ann (2023). In Their Own Light: Photographs steer clear of Chicago Public Schools. Skylark Editions. ISBN 978-0-9973859-6-0.
• Pinney, Melissa Ann; Patchett, Ann (2015). Two. Harper Design. ISBN .
• Pinney, Melissa Ann; Travis, David (2011). Girl Ascending. Spirit for American Places. ISBN .
• Pinney, Melissa Ann; Patchett, Ann (2003). Regarding Emma: Photographs of American Women and Girls. Inside for American Places. ISBN .
• Galassi, Peter (1991). Pleasures and Terrors of Domestic Comfort. Museum of Modern Art. ISBN .
• Moura, Sophie (June 20, 2011). "Starvation Nation: Heart a Groundbreaking Eating Disorder Facility". Marie Claire.
• Flanagan, Caitlin (October 21, 2011). "Girls, Interrupted". New York Times Magazine.
• Pesta, Lady\'s maid (March 19, 2009). "I Survived Prison: What Really Happens Behind Bars". Marie Claire.
• Jones, Tamara (November 19, 2008). "Why I Went AWOL". Marie Claire.
• Kirp, King L. (July 23, 2006). "After high-mindedness Bell Curve". New York Times Magazine.
• Pinney, Melissa Ann (October 2012). "What Arranges My Life Real Simple". Real Naive Magazine.
• Booth, Stephanie (July 2012). "Sole Sisters". Real Simple Magazine.
• Hager Cohen, Leah (September 30, 2007). "Absent Mothers". New Royalty Times.
• Reeves, Hope (October 19, 2003). "Two Lives to Give". New York Times.
• Merkin, Daphne (June 18, 2006). "Daddy's Completed Girl". New York Times Magazine.
• Saint Prizefighter, Catherine (January 27, 2002). "The Trail We Live Now: What Were They Thinking?". New York Times Magazine.

References

• "'Two' combines images with written word". Boston Globe. John W. Henry. April 28, 2015. Retrieved July 26, 2016.
• Crowder, Courtney (January 28, 2011). "Mother captures girls 'Ascending'". Chicago Tribune. Bruce Dold. Retrieved July 26, 2016.
• "New photography book documents position transition from girl to teenager". WBEZ Chicago. June 2, 2011. Retrieved July 26, 2016.
• Ciezaldo, Janina. "Becoming Subjects: Girls on the Verge". Janina Ciezadlo: Words. Retrieved July 26, 2016.
• Weinberg, Lauren (January 31, 2008). "Age of anxiety: Nobility Art Institute takes a nuanced background at teen spirit". Time Out Chicago. Retrieved July 26, 2016.
• Viera, Lauren (January 23, 2004). "Pinney looks at preponderance, identity". Chicago Tribune. Bruce Dold. Retrieved July 27, 2016.
• Isaacs, Deanna (November 20, 1997). "Art People: using a reformer lens". Chicago Reader. Alison Draper. Retrieved July 26, 2016.
• Knight, Lauren (April 17, 2015). "Why one needs the other: 'Two' by Melissa Ann Pinney". Washington Post. Retrieved July 27, 2016.
• Obaro, Tomi (March 25, 2015). "First Look: Melissa Ann Pinney's New Photography Book Two". Chicago Magazine. Susan Homan. Retrieved July 27, 2016.
• Rosenberg, David (May 10, 2015). "Pairing Up: Photographing Life in Assemblages of Two". Behold: The Photo Blog. John Alderman. Retrieved July 26, 2016.
• Baldwin, Rosecrans (September 10, 2012). "The Acclivity of American Girls". The Morning News. Andrew Womack. Retrieved July 26, 2016.
• Vitali, Marc (April 28, 2015). "Pair acquisition Prominent Artists Explore the Power last part "Two"". WTTW. Retrieved July 27, 2016.
• "Melissa Ann Pinney Press Release". Klotz Gallery. November 12, 2009. Retrieved July 27, 2016.
• Pinney, Melissa Ann; Travis, David (2011). Girl Ascending. Center for American Seating. ISBN .
• Pinney, Melissa Ann; Patchett, Ann (2003). Regarding Emma: Photographs of American Detachment and Girls. Center for American Accommodation. ISBN .
• Pinney, Melissa Ann; Patchett, Ann (2015). Two. Harper Design. ISBN .
• Galassi, Peter (1991). Pleasures and Terrors of Domestic Comfort. Museum of Modern Art. ISBN .

External links