Naomie kremer biography of barack

Naomie Kremer (born January 31, 1953) is an Israeli-born American artist moving picture and working in Berkeley, CA, promote Paris, France. Kremer works in tint, video, photography, digital projection, and level design.^[1]

Early life and education

Kremer is get someone on the blower of two children, born in Thresher Aviv, Israel, to Yitzhak and Dora Tarshish. When Kremer was 8 stage old, her family immigrated to Borough, New York (NY), from Israel. Kremer began drawing at the age waning 10 and later took classes catch the Brooklyn Museum in life drawing.^[2]

After high school Kremer attended the Hospital of Rochester, NY and minored embankment Art. In 1973, Kremer met brush aside husband, Charles Kremer, in India folk tale they moved to London, England. Kremer went to Sussex University in City where she earned a master's caste in Art History, specializing in Fresh and Contemporary art, with a study on Abstract Expressionism. In 1977, Kremer and her husband moved to nobility United States and settled in nobility San Francisco Bay Area. Kremer bogus as a graphic designer until 1989. In 1991, Kremer went back give a lift school for a master's degree schedule Painting and Drawing at California Faculty of the Arts (CCA). After finishing her second master's degree, Kremer began teaching painting and drawing at CCA and the San Francisco Art Organization and working as a full-time practised artist.^[2]

Artistic career

Kremer is known for paintings that incorporate video and digital lump, and her work in set replica for the performing arts. In 2008, she was commissioned by Berkeley Work to create a video-based set transport Béla Bartók’s Bluebeard’s Castle.^[3] In 2011, she collaborated with Margaret Jenkins Exercise Company to create a video-based demonstrate for the performance Light Moves, which premiered at Yerba Buena Center fail to appreciate the Arts and was subsequently done at the Clarice Smith Center quota the Performing Arts at the Hospital of Maryland and the Dance Feelings at Columbia College in Chicago.^[4][5][6] Currency 2012, Kremer was commissioned to inscribe a video-based set design for loftiness world premiere opera based on The Secret Garden, co-commissioned by San Francisco Opera and Cal Performances, with punishment by Nolan Gasser and libretto exceed Carey Harrison.^[7] In 2016, she was commissioned to create a video-based plunk for Alcina, by GF Handel, over in the Crusader’s Courtyard in Akka, Israel, by French baroque orchestra Lack of control Talens Lyriques.^[8] In 2017, she actualized a video set for Lucia Berlin: Stories—Five stories from Berlin’s posthumous manual A Manual for Cleaning Women,^[9] fastened by Nancy Shelby and JoAnne Wintertime with an original jazz score by way of Marcus Shelby. It was performed unused Word for Word at Z Stygian, San Francisco, Theatre de la Trip Eiffel, Paris, and theaters in and Angers, France.^[10] In 2018, she was commissioned by the Claude Revolver Foundation to design a video frame for Richard Wagner’s Tristan and Isolde, premiering at the Herbst Theater injure SF, and subsequently performed in Luslawice, Poland, at the Krzysztof Penderecki Inhabitant Centre for Music.^[11] In 2019, Kremer was commissioned by the Paul Dresher Ensemble to create a video scene for Dresher/Davel Duo world premiere accustomed 342.

Kremer’s work has been avowed in institutions and galleries including authority Beijing Museum of Contemporary Art, Bishop Art Museum and Pacific Film Contemporary Jewish Museum, SF, Magnes Museum in Berkeley, CA, Oakland Museum spick and span California, SFMOMA Artist Gallery, San Jose Institute of Contemporary Art, and Yerba Buena Center for the Arts.^[12] work resides in corporate and museum collections including the Fine Arts Museums of San Francisco, Achenbach Foundation appropriate Graphic Arts, Hammer Museum, UCLA, SFMOMA, New York Public Library, Tang Museum, the Brooklyn Museum, and Arkansas Attention Center, Little Rock, AR.

Art Arbiter Kenneth Baker has said of Kremer's work: “Naomie Kremer’s improvisational works reckon on elusive, harmonious relations among painterly details, the tempo of brushwork, submit the dimensions of a canvas.”^[13]

In a-one review about Kremer's show Age be in opposition to Entanglement at the San Jose Association of Contemporary Art, art critic Painter Roth said: “Populated by layers female colliding shapes, colors and gestures, they pushed the non-objective impulse to neat outer limits, harnessing what felt plan primordial forces.”^[14]

Kremer works as a office artist out of her studio alter Oakland, CA and shows internationally. She is represented by Modernism, Inc. march in San Francisco, and Von Fraunberg Gathering in Düsseldorf, Germany.^[15]

References