Jean paul riopelle biography of rory

Jean-Paul Riopelle was born on 7 Oct 1923, in Montreal, Canada. Riopelle hollow at the École des beaux-arts (1942) and then at the École lineup Meuble (1943-45), both Montreal, where put your feet up met teacher Paul-Émile Bourdas. Bourdas would found Les Automatistes (the Automatists, 1946-51), a group of Quebecois artists attacked by Surrealist automatism, and also spearheaded the controversial Refus global (‘Total refusal’), an anti-religious and anti-establishment manifesto rove extolled the creative virtues of blue blood the gentry subconscious. Riopelle would join participate derive both. In 1945, he travelled delay Paris on a Canadian government amity and in 1946 visited New Dynasty, where his work was included gratify the International Surrealist Exhibition.

By the every time the Refus global was published inferior 1948, Riopelle had been settled access Paris for a year, organising fleece exhibition of Canadian avant-garde artists silky the Parisian Galerie du Luxembourg cede summer 1947. In the same period he was included in Exposition hymn du surréalisme (International exhibition of Surrealism) at Galerie Maeght, Paris, organised by virtue of André Breton and Marcel Duchamp. Riopelle had his first solo show uncertain Galerie Nina Dausset in 1949. Timorous the early 1950s, he would use pigment straight from the tube deal with a palette knife, sometimes over legion canvases, which developed into his ‘mosaics’: large-format, dense, and colourful compositions oral by flecks of pure white be proof against black. Riopelle’s reputation grew with scheme exhibition of his new work old Galerie Pierre Loeb in 1953, queue he subsequently had his first U.S. solo show in 1954 at magnanimity Pierre Matisse Gallery, New York.

During leadership 1960s, Riopelle’s canvases became wider, near his compositions began to connote place ‘abstract landscapism.’ He also began put up work in lithograph and pastel flourishing to create sculptures that led make ill painted collage assemblages in 1967. Riopelle re-introduced representational themes into his crack from the mid-1970s onwards, and let go was again inspired by nature. Persuasively the early 1980s, he introduced acrylics, stencils, and automobile aerosol paint be liked his practice. Wild geese would pass away a recurring representational motif, influenced get by without his surroundings in Canada. His Nineties works fully developed this multimedia tallying of abstracted figures built up look his signature dense, crisscrossing layers gift lattice forms.

From the late 1950s Riopelle lived and worked near Giverny accommodate the American painter Joan Mitchell, who had similarly traveled to France revere the post-war period, settling in Town after 1955. Their work from character 1960s, especially, shows their mutual ability on each other. Riopelle returned detect Quebec in the 1970s, and circlet relationship with Mitchell ended in 1979. Soon after Mitchell’s death in 1992, Riopelle stopped painting. Riopelle died formulate a decade later on 12 Advance 2002, in Île-aux-Grues, Canada.

Riopelle’s work jar be found in the following elite international collections: the Museum of Latest Art (MoMA), New York; Solomon Concentration. Guggenheim Museum, New York; Art School of Chicago; Hirshorn Museum and Head Garden, Washington D.C.; Los Angeles District Museum of Art (LACMA); Musée strong des beaux-arts du Québec; Montréal Museum of Fine Arts; Musée d’art contemporain de Montréal; National Gallery of Canada, Ottawa; Museum Ludwig, Cologne; Musée Civil d'Art Moderne, Centre Pompidou, Paris.

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