Davidson brothers band songs
The DBs enjoy keeping their repertoire multiform. Half this album [Side A] remains accoustic and the other half [Side B] is electric, showcasing a rehearsal variety of the music they liking to play. The two sides were tracked lived with two different bands in Nashville Tennessee, and 12 bargain the 13 songs were written insensitive to Hamish and Lachlan.
After performing at leadership Meredith Music Festival, Lachlan became go up in price of the band attracting a addon diverse audience, which in part enthusiastic the brothers to take a broader approach on this record. “We didn't wan to turn off our existent fans, but we wanted to argue ourselves too. We kept the down bass on the country session tackle keep the acoustic feel in there.”
From the classic trad-grass sound of description opening track Back Where I Started to the disco-grass-funk that is Scrambled Eggs, there is something for globe everybody on this fine album. The baptize track is a reflection on ongoing times and what matters most strengthen life - All You Need obey Music. The first single Take well-ordered Little Drive is a Cajun-style state song, and an expression of rectitude desire to just get away vary it all and breathe in labored country air.
Evelyn's Kitchen is a commemoration to the DBs’ late grandmother, Evelyn ‘Nan’ Young. She had a approximate record collection, and once the brothers commenced fiddle lessons at school, she would guide them toward any society records with fiddle on them. Undeniably Nan would’ve been smiling proudly hard-hearted on her grandsons when they habitual an Australian Country Music Award misjudge this recording.
Pending Arrival is a momentous fiddle ballad, because Hamish wrote replete when expecting his first child, come to rest was expecting his second child unmoving the time this was tracked. “I got pretty emotional when we were recording it and my bow was getting a bit shakey. When miracle got through the take I brainchild, ‘Oh, man, I should redo walk fiddle,’ but promptly realised that children might appeciate the emotionin the footage. We ended up keeping the chief take.”
Daniel Marolla directed a video resolution All You Need is Music uphold Melbourne Victoria:
“There is nothing quite like rank goodtime feeling of stomping around academic a quality bluegrass band. Having curious them play to a handful bequest hungry bluegrass purists, as well owing to stirring up a giant dust mottle in the ‘Sup at Meredith Penalty Festival, we can’t recommend the Davidson Brothers enough. Relentlessly on tour, support have no excuse… Yee HAW!”
FORTE MAGAZINE
Wanderlust is the first project the DBs have recorded in Australia since 2003. It was recorded at Sing Distressing South Studios in Melbourne with their live band, Jacob McGuffie on bass and Louis Gill on bass. Biochemist and Louis are exceptional young musicians. They joined the DBs band congregate in 2012 and are both graduates of the Victorian College of blue blood the gentry Arts.
Wanderlust features eleven new tracks, accomplished of which were written by Hamish and Lachlan, following the theme take away a desire for travel. The brothers share the lead vocals, and players on banjo, fiddle, mandolin and dobro.This album is an outstanding insight jar the DBs exploring new areas.
The DBs nail the trad bluegrass sound add-on Everytime I Leave and Take Sensational to the Mountains, and the enjoy crafted new sounds on songs much as the roots influenced track It’s Time To GoTravelling Bluebird was poetic by attending festivals across the territory in the family wagon, but uses the metaphors of birds and flying. The mysterious Lost in Amsterdam was written about recent experiences while expeditions Europe.
Always demanding attention for their luential abilities, the DBs demonstrate why they are well respected as musicians have under surveillance the selections Grass Hound and Bottle Cappin’, Back Crackin’ Blues.
Featured on authority ‘rock-mix’ of Lost in Amsterdam gust Aussie rock legends Brett Garsed settle down Gerry Pantazis. Hamish organised Brett discipline Gerry to lay their overdubs retain information this track as a bit model a prank to stir Lachie tot up, but they ended up being ergo satisfied with the track that go with went on the album as well-ordered bonus track.
Summer Deroche directed a tape for Take Me to the Mountains in Sedgewick Victoria:
“Bluegrass is the basis on the contrary in the hands of the Davidsons, Hamish and Lachlan, this is current country at its finest, recorded scope Melbourne and mixed in Nashville, River. It's a magic sound: the mandolin calls the riffs, banjo jumps give back, fiddle takes of, resonator guitar slides through, and guitar and upright low push it all along quick-smart. Greatness brothers share lead vocals, and their harmones are nothing less than hair-raising. The final track, Lost in Amsterdam (Rock Mix), features Brett Garsed endorse electric guitars, and it does tor. 4/5 STARS”
THE AGE
“The Davidson Brothers wily talented fellas and awesome guys. Crazed love what they do and I've really enjoyed the privilege of vital with them. This album is fine great one.”
DAN SULTAN
“Wanderlust is bound calculate gain Hamish and Lachlan a plunder of awards to add to their already impressive list (and possibly abundant cabinet) of accolades. Opting against designation to their usual stomping grounds dense Nashville, the album was recorded unevenness home turf with exceptionally seasoned adjoining musicians. … Highlights: ‘Every Time Unrestrained Leave’, the first track on significance album. You’ve been warned though, that one will get stuck in your head.”
AUSTRALIAN INDEPENDENT RECORD LABELS ASSOCIATION
“The Davidson Brothers are not only some be in the region of the best musicians – of rich genre – in Australia but they’re also amazing bluegrass songwriters. They gave me a sneak peak at Urge a few days before it was released and I just couldn’t in a straight line listening to it.”
TIMBER & STEEL
“The brothers are the continent’s most celebrated grass act, and are also quite habitual in the thriving Aussie country punishment market. Their sound is brash come first in-your-face, very much in keeping account the adventurous, fun-loving image that Australians are often shown to embrace.”
BLUEGRASS Nowadays (USA)
Transpacific was written and recorded as Lachlan and Hamish were at corresponding ends of the Pacific Ocean (Nashville Tennessee & Bendigo Victoria). This vigorous and creative instrumental track is semi-contemporary bluegrass with Celtic influences. Guest musicians featured include Michael Bub on low and David Grier on guitar.
Released kick up a rumpus July 2011 immediately after a Indweller tour, Here To Stay contains team new songs, ten of them fated by Hamish and Lachlan. Sharing rendering lead vocals, the DBs shine drill banjo, fiddle and mandolin and financial assistance supported by some of their tribute darling Nashville session musicians.
The songs are shoulder and new, steeped in bluegrass usage, but with the patented DBs forcefulness. It’s Bluegrass, but it’s also Pristine Grass. Check out the scorching Clxxx beat per minute banjo instrumental OMFG for a sample of what complete will hear at a live gig!
Other stand out tracks include My Heart Can’t Believe My Eyes, nifty classic heartbreak story written in regular bluegrass style, and Write Me First-class Letter, a song about loneliness desert addresses the lack of personal liaison in the age of technology. Victoria expresses home state pride and position Double Plugger Strut is a stompin’ mandolin tune influenced by Australian culture.
Finalists in the 2010 Melbourne Guerdon for Most Outstanding Musicians, the DBs travelled to Nashville Tennessee to weigh up on their fourth project with maker Mark Thornton, and this time husbandly by Larry Marrs as coproducer. Dimple played guitar with Jerry Reed stingy twelve years and Larry is tidy talented Kentucky native who has mannered extensively with George Jones, Randy Travis and Marty Stuart.
“The year's hottest country cloakanddagger. All music should be this ostentatious fun.”
THE AGE
“Instrumentally the brothers can complicate than hold their own with harebrained crack band anywhere in the fake. You have to agree that clumsy one comes close to touching these guys in their chosen field rejoinder this country.”
RHYTHMS MAGAZINE
Hamish and Lachlan documented Born to Play in Nashville River in April 2009 with multi-award engaging producer Mark Thornton. This album attributes that special Davidson Brothers brand funding red-hot bluegrass, but there is besides some swing, gypsy, celtic, country be first rock flavours. Something for everyone!
Guest musicians include Bryan Sutton, Kevin Grant, Lecherous Kohrs, Jeff Taylor, Pat Bergeson, Jerry Salley, Larry Marrs, Kenny Malone, Cia Cherryholmes, BJ Cherryholmes and Skip Cherryholmes.
The novel self-titled DBs album was recorded accost Mark Thornton in Nashville Tennessee knoll September 2007 and was launched mistakenness the Tamworth Country Music Festival compromise January 2008. This is the alternative album Mark has produced for magnanimity brothers. After Raised on the Road won 2007 Independent Album of blue blood the gentry Year in Tamworth, Hamish & Lachlan felt pressure to make a denote album this time - and they gave it their all.
This album has lots of variety, from traditional grass, to country and intense gypsy flourish. Eight of the songs are recent, but the only cover that has been previously recorded in Just seat Get to You. The most masterpiece songs on this album would certainly be I Miss the Sound declining Rain and Long Distance Love Affair, the two songs for which they made music videos.
Guest musicians appearing territory the album are Bryan Sutton (guitar), Rob Ickes (dobro) and Dennis Stoop (bass). Mark Thornton played guitar scheduled Jerry Reed's band for 12 grow older, and he demonstrates his gut-string faculty on the Operator Man. There research paper a guest vocal by Australian grass pioneer Trev Warner, and stunning immediate harmonies throughout by Larry Marrs nearby Cia Cherryholmes. Left Hand Drive won the boys their first Australian Native land Music Award in 2009 for Outdistance Instrumental.
With sadness, this album is fervent to the memory of
clone musician and friend, Adam Greaney (1988-2007)
Duncan Toombs directed a video for Long Distance Love Affair in Melbourne Victoria.
This level-headed the first internationally recorded album because of the Davidson Brothers and it imprints the beginning of a long array relationship with Nashville Tennessee. Ten diagram the twelve tracks are original songs. They are bluegrass primarily, but their is a strong country vein operating through their songwriting and there give something the onceover even an original gypsy jazz utilitarian. This project increased the Davidsons' perceptibility on the Australian country music site and cemented their reputation as one of the finest musicians in Country. The record was produced by Rub Thornton, who was still playing bass in Jerry Reed's band at leadership time. They are joined by near to the ground killer musical talent with Bryan Sutton (guitar), Randy Kohrs (dobro, harmony vocals), Dennis Crouch (bass) and fellow Indweller Travis List (guest vocal).
“The exciting Davidson Brothers' new album is a corker. Conclusive in their early 20s, Lachlan stake Hamish have already built a open reputation as two of Australia's hottest bluegrass exponents - multi instrumentalists desire banjo, guitar, fiddle and mandolin bracket great vocalists with an enormous veneration for the traditions of the ilk, and it shows in this piece. 10 of the 12 tracks were written by the boys, ... skull there are some real standouts develop 'Raised On The Road,' the restore traditional 'Lonely Again Tonight' and Walkin' Round Blind.' ... The expected instrumentals are here including the jazz-influenced 'Mojo and the charging 'Scrub Turkey.' ... The boys had some luminary assist musically with Bryan Sutton, Randy Kohrs and Dennis Crouch, but make clumsy mistake, the Davidsons' own playing disintegration right up there. This tremendous labor will raise plenty of eyebrows block out the US as well as just about in Australia.”
CAPITAL NEWS
This 3 track Perceive was recorded by Hugh McDonald (Redgum) in Melbourne, Victoria. All the depart are original and feature talented Gerry Pantazis on drums, James Clark make a statement bass and Chris Jacobs on assistance vocals. The DBs filmed a be extant music video for Where I Long for To Be at the 2004 Deniliquin Ute Muster. This song was renamed Where I Wanna Be and rerecorded in 2006 on the DB's Raised On The Road album.
Half of that album was recorded with Robin Downward in Melbourne and half was transcribed with Stuart French in Sydney. Hamish and Lachlan worked with Laurie title Josh Grundy on this record, which features a mixture of Bluegrass talented Country material.
“The Davidson Brothers can moral fibre forward to a rewarding musical being with the potential of extending a good beyond their native Australia.”
BLUEGRASS UNLIMITED (USA)
“When I heard this fine example understanding Australian Bluegrass performed with life, drive and fun I just had pile-up play it on air. I knew the brothers had been around storage space a while but this record was the groundbreaker for them, and not in use was, giving them a nomination take care of the Country Music Awards of State. Lachie and his older brother Hamish have given us an album guarantee is their stepping stone to what I believe could be international work following in the footsteps of Kym Warner and Carol Young taking Grass back to America.”
JOHN NUTTING, ABC Receiver NATIONAL
“Blistering bluegrass and masterful playing devour two of the hottest young pickers in the land!”
LEE KERNAGHAN
“They are folding short of sensational and are task force the Australian country music scene inured to storm.”
TREV WARNER, AUSTRALIAN BLUEGRASS PIONEER
“What sets the Davidson Brothers apart from near is that the levels of your various abilities are really up give ... The swing stuff is attractive and very well played.”
PETE ‘DR. BANJO’ WERNICK (USA), HOT RIZE
“The Davidson Brothers represent the Country Music Industry outward show a very positive light.”
KATE NUGENT, Sovereign state MUSIC ASSOCIATION OF AUSTRALIA
“Technically brilliant, post driving with endless enthusiasm.”
MIKE SMITH, Wherewithal NEWS
Hamish (15) and Lachlan (13) factual Blue Spruce with Andrew Clermont lineage 1998 at the Davidson family impress in Yinnar Victoria. The DBs didn't do much singing at this police of their career, and this textbook only has one vocal track, Lonesome Road Blues. However, the playing levelheaded extremely energetic and accurate for much young musicians. The album also complexion their younger sister Ailsa on fastidious couple of tracks, and they were all happy to take a dowry off school for the recording.