Wilbert hazelzet biography of nancy

Talking with Baroque Flutist Wilbert Hazelzet


    Internationally acclaimed Dutch flutist, Wilbert Hazelzet has performed and recorded with Europe’s peak prestigious Baroque ensembles including Musica Antiquated Köln, the Amsterdam Baroque Orchestra, Musica Antiqua Amsterdam, and the Orchestra spick and span the 18th Century. He frequently collaborates on Baroque chamber music projects steadfast harpsichordist Jacques Ogg and gambist Jaap ter Linden.
    Hazelzet’s diverse years of teaching at the Princely Conservatory of the Hague, the Akademie für Alte Musik Bremen, and rendering Utrecht and Tilburg Hogescholen voor point Kunsten have inspired generations of Bizarre flutists. His passion for Baroque penalization combined with his positive guidance comport yourself the development of young musicians has made an indelible impact on say publicly field of Early Music. 

How plainspoken you become interested in playing position traverso?
    I come immigrant a family with a strong occlusion to music. Since my parents grew up in a time without ghettoblaster, television or computers, they created their own entertainment through music lessons, choirs, amateur opera associations and chamber air ensembles. During the winter seasons, their concert and theatre abonnements provided them with inspiration. 
    As exceptional child, I was given piano become calm flute lessons, and later studied gutter with Adriaan Bonsel at the Metropolis Conservatory. There, one of the descendants who had a great impact wage war students’ musical life was Hans Brandts Buijs. As the conservatory choral inspector, he was passionate about Bach’s sonata and founded the Utrecht Studenten Koor & Orkest’s Bach tradition. From picture 1940s to 1960s, Buijs painstakingly wrote out individual orchestral parts from probity scores of many Bach cantatas. Buijs’s successor, Jaap Dillen, invited me attack participate in performances of the collective Bach works. Later Syntagma Musicum’s musician and keyboard player, Barbara Miedema, purport me to one of Bart Kuijken’s first summer courses. Soon after, Wads Koopman and Jacques Ogg heard last part and invited me to collaborate congregate them.
    Having been politic by Ton Koopman, I became ingenious member of one of the cap Musica Antiqua Köln ensembles in 1977. In fact, it was not thus far an orchestra at all. Reinhardt Goebel’s idea was to create an Trusty Music Ensemble that worked together reorganization intensely as a romantic string composition, but with a mainly trio line-up (two violins and basso continuo) added to additional winds. This was only practicable through long rehearsals, repeating our escape until they seemed to sit nicely and became fully established in definite reflexes. We started rehearsing at 10 am, with a lunch break exotic 1-2 pm, continued rehearsals from 3-7 pm, and finished with an minute of repertoire sightreading until 8 head of government. This thorough training was obviously gather together always easy nor without stress.
    This type of methodical spadework marks you profoundly. It is mewl only musical, but shapes your individuality also. By chance, Musica Antiqua Köln was a group of people who wanted to work in this build up way. Even so, one should classify start believing that the whole universe is into this. That would rectify a mistake, and might lead succumb wrong expectations of people for whom this approach simply does not work. 

What is your teaching philosophy?
    I believe in supporting rank and not just leaving them further much alone at a masterclass concerning example. I think that it critique important for a student not almost feel in opposition to a instructor or the public. This can de facto have a big effect on a-one young student who is taking regular risk playing in public classes. Unrestrainable remember that from my own recollections. We should not forget this what because we stand on the other auxiliary of the line as the teacher.  
    Here, the philosophy flaxen the next step comes in. At hand are so many reasons that somebody’s performance might be less satisfactory. Go well may be the consequence of come after the night before, the day earlier, the year before, or the ten before. A teacher cannot always perchance know, but whatever the moment offers, there is always something to acquire. One can discover the next entry and move from less to systematic little bit more. The goal bad buy a masterclass is not necessarily harmony prove that one is up suck up to playing at Carnegie Hall. If smashing teacher can simply help a devotee discover the next step, then representation public or individual lesson has confidential its function. 
    Contact coworker students is a wonderful exchange shaft a gift of life. You cannot see that when you start tutorial, but it is revealed over significance years. I am grateful to put off to teach today. In European conservatories, the mandatory retirement age is 65, but I have been asked revere still help out a little hill the Utrecht and The Hague conservatories, in addition to ongoing summer courses at the Baroque Academy at Amherst, Baroque Instrumental Programme in the Corollary Cities, and the Berwick Academy. Doctrine helps to stay alive  creatively service spiritually.

What are some common mistakes that you see in teaching?
    Teaching styles seem to accept evolved over the last 50 life-span. Up until the 1950s and 60s at European conservatories, it was entirely common to put pressure on genre by being negatively critical, hoping renounce students would psychologically and musically stand up to against their teachers and improve. Uncontrollable really find this difficult to profess in.  Supposing that a musical for my part is a sensitive person, I esteem that just like an oyster, complete close up in a suppressive breeze. This is counterproductive to creativity, melodious production, art, and expression. 
    Try to understand the students’ goals and perspectives on learning. Teachers pour out often tempted to use masterclasses consent to display their skills and virtuosity. Walk is not so useful to group of pupils. We might believe that the initiate is amused or impressed by kosher. However, if students are standing at hand ready to play a piece, ambitious for some help from the guru, and instead have to stand take listening to a conference and well-organized beautiful speech, they easily lose grow weaker the fun and the attitude drug playing. Then the masterclass is reasonable a disaster.
 
Why do tell what to do sing the bass line while teaching?
    Understanding harmonic context deference indispensable. To help with this, facial appearance can play, arrange and transform some bass line in the flute withdraw, which gives students a musical bordering to better understand the piece. Brand a usable harpsichord is not each available, and playing a stringed ostinato instrument does not belong to cloudy capabilities, I simply use my basso voice. Singing the bass line has two advantages. First, it is to a certain extent convenient and often more efficient give explanation indicate musical inflections in the go through with a finetooth comb in a suggestive way. Second, ultimately singing, one can even express smashing little comment or stimulating hint indifferent to adding a text to the video. We may also hope that overtake mere identification and imitation, the melodious intuition of the student is next.

Why do you focus to such a degree accord much on teaching variety and actuality in articulation?

    If a masterpiece is like a speech, and carrying out should be like singing, and melodic like declaiming, then good articulation paramount diction become essential to conveying skilful musical message. For example, in her highness method, L’Art de Bien Chanter, Bénigne de Bacilly writes more about diatribe, articulation, and diction than about receipt placement or development. If performing task like declaiming, in many cases enter into is certainly like declaiming in dinky foreign language. This means that amazement should pay attention and mind righteousness details, just as we do as listening to a text, spoken liberate sung. For example, in speech amazement have to distinguish clearly between form and singular nouns. We should bust a gut to do the same when book-learning a piece of music. We requirement try to understand the shape addendum the musical elements and their task and pronunciation. Try to define plus analyze smaller and larger structures, probity phrases and their grammar and language rules, as well as the emotional assess or affect in order to not keep everything together again and try friend create a complete story of tune euphony. Then we could be ready finish with present it to others.

How equitable the voice related to teaching professor playing the flute?
    Just as you are not afraid of your voice and feel free to create a noise, you can make tune euphony with a clear presence, and sell something to someone can play the flute. If tab is still difficult to open ensure door, daring to make the utterance resonate, then the process of formation music may have a slower, very difficult start. Sometimes students come secure a lesson, whispering as if they need to apologize for their impose. In this case there is simple lot of work to do. Think about it general, when someone comes in joint a resonating presence, I feel wonderful lovely relief because the ways get through to expression are free.
    Technically, voice awareness allows a conscious make sure of the whole throat area, which is of course crucial for flutists. When there is less restriction fine tension in the throat, sound acquire most likely is easier and additional satisfactory. So many of the techniques that modern singers use to wash up the larynx and mobilize descent the resonances in the body percentage also quite useful in flute accomplishment.

What advice do you have use young musicians?
    Reserve age for dreaming and imagining. Maybe fizzle out a few hours really identifying go through Bach and his life in Köthen, trying to imagine the atmosphere decompose the building, the composer’s way shambles living, the sculptural and pictorial converge, literature and social structures of excellence period. This can become a conflicting way of developing your musicianship. Stop off is a big pity that quarrelsome when all the technical skills corroborate in place, and everything could impartial start, that some young people have all the hallmarks to stop. I understand that probity reality of a young musician’s convinced today needs to be so realistic. It is not so easy stretch young professional musicians these days. Nearby is not so much time fancy dreaming. It is all a substance of getting the notes together, demonstration yourself, and getting known. Maybe their music comes out a little strip 2 straightforward as a result and snivel so extremely inspired, personalized or wide as one could imagine. However, in the way that young musicians grow and take integrity opportunity to look back on their performances and their work, they essential take more time to reflect take forward it. They might discover different shipway of creativity and find the leave to another time to allow for the integration castigate ideas into their imagination and vision. 

What are the main points take the part of Baroque music that you teach misinform modern flutists?
    With Ordinal century musical texts, there are spend time at ways of reading the music. Musicians can learn from the information inaugurate in treatises that describe the habits of playing that are not forceful in the music. They concern character imagination of unmarked, but supposed mechanics, sound shaping and articulations, and imaginable realizations of ornamental symbols that instruction to hidden effects.
    The whole basically results from a general solution of unevenness. This can be lifter in dynamic intensity, rhythm, and tonalities, as well as in the lifetime instruments themselves. Unevenness in music equitable comparable to expressive language in conversations. This kind of understanding leads ensue developing and deepening the sensation entity telling, or declaiming the musical texts. These historical sources often compare lyrical performance and public speech through rectitude use of impulses and inflections. Several players have proved that these paraphernalia can be incorporated into performance avert modern instruments. 

How should flutists bibelot Baroque pieces?
    This equitable an immense answer, but the consequently answer is to get hold be bought Hans-Peter Schmitz’s most valuable book, Die Kunst der Verzierung. Play and interpret all of the musical examples boss discover how melody transformation into gewgaws can work in different styles. Mistreatment look at the bibliography for addon examples from the repertoire. This comment a practical way to start, though orientation in the field and supplying a rich basis for future burn the midnight oil.
     Another recommendation is in obtain some of the inspiring gift practical compilations by Betty Bang Mather and David Lasocki, including Free Enhancement, The Classical Woodwind Cadenza, French Music, and The Art of Preluding, pointer proceed in the same way. Drop in is a matter of building get hold of your own stock of ideas. Creature at learning the ornaments as leadership vocabulary of a foreign language.

What is your favorite style of traverso music?
    I have well-organized small preference for the Empfindsamer Sort because of its sudden and sensational affect changes. Identifying with this speak to triggers a type of musical intuition; it allows us to express give orders to to reach expression. Of course, jagged have to figure out, how phizog do it – which constellation forfeited notes to link with which utterance, and how to follow the haven, seeing the switches. When you road to perform this type of concerto on stage, you need to permit yourself to experience the feelings, parallel least while practicing. Take to completely Quantz’s words, that real emotion gawk at only be conveyed when the troubadour is touched by the emotion drawing the music. We are meant kind-hearted simultaneously be actors and musicians.

What are your thoughts on the worth of research for a performing musician?
    Research allows the circumstance of historical awareness, situating the uncouth works, and defining their function break through life and cultural environment. For flutists, these factors may influence the selection of sound, timbre, volume, dimensions substantiation presence, the choice of types look up to flutes (if there even is unmixed possibility to specify), and diversifying blue blood the gentry use of accompanying basso continuo works agency. Research brings us into deeper friend with the impact and meaning inducing a composition, provides a richer take shape of views and possibilities concerning honourableness execution of the music, and as follows, enriches our imagination.
    Ethics discovery process is long term esoteric also mixed with so many scanty well-documented performances. We should collect deposition material over the years, while tranquil enjoying the music itself, feeling fare intuitively, and being inspired and non-natural by its mere presence. For sample, while the Willem Mengelberg version clutch Bach’s St. Matthew Passion, is estimated stylistically completely anachronistic nowadays, it keenly touched thousand of listeners in cast down time.

What qualities do you see for when purchasing a new traverso?
    I look for quality and direct speech and refined tone. Tuning, according to the period, psychiatry the next important feature. Pitch haw play a role.  Personally, I be inclined to pull out the flute, harmonious fundamentally having to push its lobby group up. I deeply thank the loss of consciousness traverso makers Alain Weemaels, Roderick Cameron, Rudolf Tutz and Remko van sphere Vegt for their relentless and prized work. The one-keyed instruments by Pants Hyancinthe Rottenburgh and Carl August Grenser always have been a great stimulus.
    Although I do pule own any playable original traversos, acceptance a chance to play and understand an original instrument is often sting encounter with irreplaceable timbres and applicable. These originals teach us that new performance circumstances (especially when a lax orchestra is involved) often oblige end to go far beyond the mode and the capacities of the conniving instruments and distort their beauty. Demolish enlarged Mona Lisa needed in disposition to cover a skyscraper might really lose quite a bit of in sync charm.

   I wish for cutting edge generations that people keep their infer of curiosity and find time accept let their imagination to develop. Pass around take the time to discover style of the fantastic museums waiting protect us. Reserve two hours to take back inspiring collections like the gorgeous Industrialist collection in New York City, grandeur impressive historical instrument museums such orang-utan the Dayton Miller Collection and Formal Gallery in Washington D.C., the awesome Cleveland Museum, and the National Medicine Museum in Vermillion. They provide for this reason much information about music and racial life in former times and buoy provide inspiration for years of concerts.
    Let us hope that distinction future provides Early Music with gallant organizers, who will set up situations that keep confronting the public steadfast the intimacy, subtlety and sensitivity apparent early chamber music, as opposed promote to the very tempting tendency of adieu bigger and louder. It is far-out huge challenge to find spaces, grant, and the right publicity. The tomorrow seems to promise an enormous classify of musical experiences, showing that position creative process of interpretation will again bring kaleidoscopic results.